The benefit of having a live model is that of being able to see the subject from different angles. When I use a model, I like to shoot photos from all sides, taking care to keep the same distance on all shots, to ensure accurate templates.




I've gotten to where I can develop an entire figure from a single picture, thankfully, and seldom use a model. This requires quite a knowledge of both anatomy and the dynamics of wrinkles and drapery, to get the costumes to "hang" right. I consider the latter to be the toughest part, for me.

I begin my armatures with the heavier wire, mounted into the base. I then build up the armature with compressed aluminum foil and tightly wind the finer wire around that, to prevent the foil from unraveling, and to provide a good anchor for the clay. The "building up" of the armature helps to ensure that the clay bakes thoroughly.


Now I cover the armature with clay and proceed with the modeling. When I'm satisfied with the sculpture, I fire it. Then I do the painting and any model building that may be called for.

The finished piece is then mounted on its base. I add clear acrylic case, and it's done.